1.FULLY AIRCONDITIONED SOUND PROOF MACHINE ROOMS AND DUBBING ROOMS
2.DIGITAL M AUDIO MIXERS.
3.NUENDO AND PROTOOLS BASED MIXING
4.YAMAHA AND BEHRINGER STUDIO MONITORS
5.BEHRINGER CONDENSER MICROPHONES
6.SPECIALLY DESIGNED FOR FILM DUBBING
7.HIGH POWER DUAL MONITOR SYSTEM FOR RECORDING
ARGO AUDIO PRODUCTION
NEAR OLD BANN STAGE
In digital recording, the analog signal of video or sound is converted into a stream of discrete numbers, representing the changes in chroma and luminance values (video) or air pressure(audio) through time, thus making an abstract template for the original sound or moving image.
Beginning in the 1980s, music that was recorded, mixed and mastered digitally was often labelled using the SPARS code to describe which processes were analog and which were digital.